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So You work in a Cotton Mill ... by Chrissie Elmore
‘Soyou work in a cotton mill? Now don’t youcomplain about getting up at 5am. In 1851 with everyone flooding intoManchester for jobs and starving Irish undercutting the wages, you’re the luckyone. At least it means your family has a roof over their heads.
I know running homefor a cup of tea and piece of bread at 8am hardly seems worth it when you onlyhave half an hour but at least it will keep you going until 12, then you canshare a nice bowl of potatoes with those tiny pieces of bacon fat. Yes, it’sboring when you’ll get exactly the same for supper when you’re shift ends at8pm, but let’s face it, your Ma wouldn’t know what to do with anything else ifshe could afford it – she went into the factory when she was six.
Oh,and try and use the privy at the mill – you don’t want to go near the one inthe corner of the court that hasn’t been cleared for months.’
Yep, there was a very fortunate girl: a wage coming in(never mind that the Master had reduced it twice due to ‘market forces’); ahouse less crowded than the one next door where Michael Norton shared two roomswith his six children, mother-in-law, elderly lodger and her son, to saynothing of the Flahertys and their 5 children in the cellar.
The house would have been single brick skin, sodden in wetweather, and with only one window – being built against on three sides. Theseback-to-back terraced houses had no water or sanitation. The privy would beshared by the whole community (at worst up to 250 people – no typing mistake –250!). With no drainage, the cellars were built to take storm water and theeffluent from the tons of household rubbish thrown into the yard plus therun-off from the privy. Desperate people rented these hellholes and manydrowned in their sleep. (See diagram ofsome quite posh back-to-backs in Birmingham)
"In one of these courts there stands directly at theentrance, at the end of the covered passage, a privy without a door, so dirtythat the inhabitants can pass into and out of the court only by passing throughfoul pools of stagnant urine and excrement.”Description of hovels in Condition of the Working Classes in Englandin 1844. by Fredrich Engels (1820-95) who spent much of his working life inhis father’s Manchester cotton mill.
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| Manchester’s River Irwell into which all manner ofindustries emptied their waste from tanning factories to slaughter houses andfrom which many people drew their only water. |
Not surprising then that our girl had an average lifeexpectancy of 26 (17 if she was a man). If the dysentery or TB didn’t get you,then cholera probably would. One outbreak resulted in a pit of 40,000 bodies.Not much later the bones were dug up to sell for manure, bone meal or to adulterateflour. Even if you survived beyond this age, as a girl working in a cottonmill, especially in the carding room, you would suffer for years with lungdisease.
Many brave, dedicated people tried to improve things andlaws were eventually passed:- 1866 The Sanitary Act (sewage disposal and watersupply provision); 1870 Education Act (full time education until 9); 1891Factory and Workshop Act (minimum employment age 11) but enforcement was patchyand there were many vested interests to overcome.
Fact becomes Fiction
In Mrs Gaskell’s novel North& South, these issues form an important part of the narrative –shocking Margaret and causing conflict between her and Thornton. Mrs Gaskell lived inManchester from her marriage onwards and all her books are coloured by thepeople she met and the conditions she saw first hand. I tried to continue thisfine example when writing Unmapped Country therefore it contains many issues of the day: industry, socialconventions, disease, plus one or two real characters of the time (EdmundPotter, calico printer and MP, for example).Unmapped Country is available on Kindle - it’s not all Mills & Gloom, as a friend rudely puts it!
Chrissie Elmore
The book
Think of Manchester in the mid Nineteenth century and mention Margaret Hale & John Thornton to people and many will immediately tell you how they fell in love with North & South by Elizabeth Gaskell. For them this will be an extension of the extreme pleasure they had first time round.
However, readers unfamiliar with this enduring classic, need not turn away. The novel stands alone and only entices them to discover the back-story. As the author has discarded Mrs Gaskell’s much disliked ending (even by herself), John and Margaret’s struggles continues. Will they ever truly understand one another? Or will their opposing ethics and social prejudice force them to seek companionship with more appropriate partners?Written in the original’s Victorian style, the frenetic city and the original participants all stay true to Mrs Gaskell’s creation, while contemporary events and new characters both help and hinder John and Margaret’s progress towards a conclusion.
The author
Born in the north of the UK, five glorious years in NewZealand but now an adopted southerner living on the edge of the Ashdown Forest(home of Winnie the Pooh) in Sussex. After a varied career – secretary,florist, bar tender, quantity surveyor - Chrissie Elmore finally found her feet in managingbrochure production for travel companies. Leaving corporate-land, going freelance and departing fromhusband number two, gave her the opportunity to write and three novels later she can say that the thrill of giving birth to stories is still as strong now as itwas when making up tales for her ten-year-old cousin all those years ago.
Chrissie Elmore's website also has loads more fascinating details of the mid -Victorian era and news of her second book which is set in the same period.
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