Anne Neville and her sister Isabel are daughters of the most powerful magnate in 15th century England, the Earl of Warwick, nicknamed the "kingmaker". Ever ruthless, always plotting, in the absence of a son and heir. Warwick sets about using his daughters as pawns in his vicious political games.Anne grows from a delightful child, brought up at the court of Edward IV and his beautiful queen, Elizabeth Woodville, in intimacy and friendship with the family of Richard, Duke of Gloucester. Her life is overturned when her father turns on his former allies, escapes England and invades with an enemy army. Widowed at fourteen, fatherless, with her mother locked in sanctuary and her sister a vengeful enemy, Anne faces the world alone.But fortune's wheel turns once again. Anne plots her escape from her sister's house, finds herself a husband in the handsome young Duke of Gloucester, and marries without permission, in secret. But danger still follows her. She finds that she has a mortal enemy in the most beautiful queen of England. Anne has to protect herself and her precious only son from the treacherous royal court, the deadly royal rival, and even from the driving ambition of her husband - Richard III.This is not my first fictionalised Anne Neville's account of the facts which involved her in The Cousins' War , nor my first Richard III novel. However, I was totally absorbed in this new version of the story by Philippa Gregory and even often surprised by her choices. As much as I disliked her The White Queen, I really liked her latest The Kingmaker's Daughter. Especially the second half of the book.
I like the different Anne coming out from its pages, stronger - willed and even with ambitions of her own, less passive victim of fate than the tender, naive girl I found in "The Sunne in Splendour" or "The Virgin Widow". She is quite smart instead and not easily bent, though quite easily inclined to believe everything happening around her is the result of curses and magic tricks played on her by her mortal enemy, Elizabeth Woodville.
In 1470 Lady Anne is married to Prince Edward, son of Margaret of Anjou and king Henry VI . She's only 14, a pawn in her father's plans to make himself the most influential man of England supporting the House of Lancaster against his previous allies, the House of York.
Young Anne has been brought up hating the Lancastrians as her most dangerous foes and loving King Edward IV and his siblings, George and Richard, as dear friends. Now she has to learn to respect her enemies, marrying one of them, and to fear her friends. The inner struggle to accept all these dramatic changes, and the psycholigical strength she needs to bear the consequences of her father's choices, are brilliantly conveyed by the author, who gives the reader a heroine of great courage and strong personality.
Anne will be overwhelmed by the events following her marriage to Prince Edward: she will follow her husband to the battlefield and will end up an orphan, a widow, a prisoner who may be accused of high treason, a defeated princess , a destitute girl in the hands of the royal family her father had betrayed. Her mother deserted her, her sister Isabel with her husband George of Clarence just want Warwick's inheritance all for themselves. She is kept as a prisoner in their house with no hope and no freedom.
The youngest heir of the York line, Richard Duke of Gloucester, comes to her rescue as a very romantic and ambitious knight in a shining armour. He was brought up and educated by her father, the Earl of Warwick, at Middleham Castle, and they have long known each other since they were children. He is her only chance to escape a very sad fate in a nunnery, he is her only chance to be saved and restored to a respectable life. He becomes the great love of her life.
Philippa Gregory couldn't resist the chance of making the romantic love story between Lady Anne and Richard Plantagenet the most touching, gripping element of her novel. However, as usual her novels are not mainly romances. You can be sure you'll find plenty of intrigue and mystery, plotting and scheming, action and adventure in The Kingmaker's Daughter.
Another typical feater of the series, which you will also find in this book, is the presence of magic, which honestly is my less favourite ingredient.
As you can imagine, the main reason why I wanted to read this novel was my interest in Richard III and his personal story. I wasn't disappointed by Ms Gregory's portrayal of young Dickon, nor by her depiction of him as a troubled king. I think she got the right balance between the romantic hero and the smart politician. No trace of the Shakspearean devilish figure.
This book and the previous ones in the series (The Red Queen and The White Queen) are being filmed for a 2013 BBC series which I hope will be spectacular. So I read The Kingmaker's Daughter with these lovely faces in my mind:
Faye Marsay (above left) and Aneurin Barnard (above right), who are playing in the 10-episode series as Anne Neville and Richard Duke of Gloucester (then Richard III). They definitely fit Philippa Gregory's portraits of the two young lovers, don't you think so?
Read about the upcoming BBC series at Philippa Gregory's official website
P.S. I
I haven't renounced my dream of seeing a Richard III movie or series with Richard Armitage, though I've started figuring him as the Earl of Warwick, the kingmaker. Time flies. Too late for him to be Dickon? Definitely. But wouldn't he be a great Warwick?
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| Philippa Gregory in Richmond |
Philippa Gregory signed my copy of The Kingmaker's Daughter. A gift from my friend Antonella (on the right in the picture above, taken from her facebook page) who met the best selling author in Richmond after a talk in which she presented the book. Many thanks, A. A wonderful birthday gift!
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All my sympathy went to young, strong-willed, brave Miss Valentine Wannop (Adelaide Clemens) and I sided with her in her long, faithful wait for the man she loved. Not a passive romantic heroine, but an actively socially committed woman, longing for her chance to live real love. 
I've also had a look at the pilot episode of Elementary an American present-day version of Sherlock Holmes (CBS). I generally like American series much less than British ones but I can't tell you exactly why. To be honest, I only saw it for Mr Knightley's sake, I mean, for Jonny Lee-Miller (Mr Knightley in Emma 2009), who is starring in it as a present-day Holmes investigating in New York with the help of a Joan Watson. Did I like or didn't I like it? That is not the question. I'll simply join the chorus of astonished voices asking : "Why did they have to make a new American Sherlock" ? I find Benedict Cumberbatch's answer to the question very diplomatic but only partly convincing. As he plays a present-day Holmes in the pluri-awarded BBC series, Sherlock, he was asked his opinion on his US alter-ego in Elementary.
In Mrs Gaskell’s novel North& South, these issues form an important part of the narrative –shocking Margaret and causing conflict between her and Thornton. Mrs Gaskell lived inManchester from her marriage onwards and all her books are coloured by thepeople she met and the conditions she saw first hand. I tried to continue thisfine example when writing Unmapped Country therefore it contains many issues of the day: industry, socialconventions, disease, plus one or two real characters of the time (EdmundPotter, calico printer and MP, for example).
Born in the north of the UK, five glorious years in NewZealand but now an adopted southerner living on the edge of the Ashdown Forest(home of Winnie the Pooh) in Sussex. After a varied career – secretary,florist, bar tender, quantity surveyor - Chrissie Elmore finally found her feet in managingbrochure production for travel companies. 
Welcome best-selling historical fiction author, Sandra Gulland at FLY HIGH! and read the story of her long journey in the e-book self-publishing field. Enter the giveaway contest for 3 e-book copies of her THE MANY LIVES AND SECRET SORROWS OF JOSEPHINE B, first novel of a great trilogy (Read carefully the giveway details given below).I love everythingto do with publishing. I have worked as a typesetter (that dates me!), aneditor, a ghostwriter, a novelist—and now: e-book publisher.I must qualify that however: I'm nota publisher insofar as I do not—as yet—publish works by others. Also, I haveyet to take charge of the process from start to finish: I am publishing novelsof my own that have been previously edited and extensively published . . . buthave then—in one vast territory (UK and beyond)—gone out of print. I wanted mynovels to continue to be available to all readers, so I decided topublish themmyself in e-book form, under my own imprint: Sandra Gulland INK.
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